jueves, 30 de junio de 2022

Granite sarcophagus lid of Ramesses III

Granite sarcophagus lid of Ramesses III
Red granite sarcophagus lid of Ramesses III in the shape of a cartouche. In the centre of the lid is the king depicted as the god Osiris in mummy form. On his head he wears the Atef crown composed of ostrich feathers, a sun disk and a pair of ram's horns. Emerging from his forehead is a uraeus, the royal symbol of protection. The king also wears a long plaited beard, another divine symbol associated with the god Osiris, and a long wig with lappets. The king's arms are crossed over his chest and in his hands he holds the crook and flail. On either side are the standing figures of the goddesses Isis (Proper Left - PL) and Nephthys (Proper Right - PR). Much of Isis's figure is missing owing to a large break in the lid which extends from the back part of her head to the base (the break was probably caused by tomb robbers in antiquity). Nephthys stands on the hieroglyphic sign for gold 'nbw'. In between the depiction of Ramesses III and Isis and Nephthys are probably four snakes, two of which have female bodies and heads. These snake-women, who probably represent the goddesses Nekhbet and Wadjet, raise their hands in adoration of the dead king. Hieroglyphic text is inscribed around the lid's outer edge.
Notes
History note: July 1816 – Bernardino Drovetti meets Giovanni Belzoni and gives him the granite sarcophagus lid 12 August 1816 – Belzoni attempts to remove it March or April 1817 – Belzoni successfully removes it c. November 1817 – finds are shipped to Cairo 20 April 1818 – Henry Salt concedes a sarcophagus lid from the Valley of the Kings to Belzoni 27 January 1819 – Another shipment of finds from Luxor to Cairo and then Rosetta, including a sarcophagus lid May 1821 – shipped from Alexandria on the 'Dispatch' (Seti I’s alabaster coffin also on this ship) August 1821 – 'Dispatch' arrived in London Autumn 1821 – all objects moved into the courtyard of the British Museum March 1823 – Ramesses III's sarcophagus lid sent to Cambridge 31 March 1823 – lid arrives in Cambridge The link between Giovanni Belzoni and Cambridge is most probably The Reverend George Adam Browne who was associated with Trinity College. He was also a Freemason, like Belzoni.

 

Abu Roach

 Abu Roach

 





 

Head of Augustus

Head of Augustus
27 B.C.–A.D. 14
Roman Period, Augustus
This small head is thought to depict the Roman Emperor Augustus. It follows a Roman prototype for his portrait that was developed in the earlier part of his long reign, but continued in use. Paul Zanker has suggested it might have been created late in Augustus' reign or even in that of Tiberius. Egyptian influence may be present in the suggestion of loose flesh beneath the prominent cheekbones.
The original context of the head is unknown, but it was said to be from Memphis, which is reasonable. A Memphite provenance would reflect the importance of the traditional religious capital in Augustus's political domination of the country. A cult of Augustus existed there, and the High Priest of Ptah of Memphis, the most important official in the country's traditional religious structure, was chosen as its chief officiant, the "prophet of Caesar." This appointment was surely intended to encourage the cooperation of the country.
Medium: Faience
Dimensions: H. 7.7 × W. 6 × D. 6.5 cm (3 1/16 × 2 3/8 × 2 9/16 in.)
Met Museum

 

domingo, 26 de junio de 2022

The Autobiography of Admiral Ahmose

The Autobiography of Admiral Ahmose
Part I
 
Part II
 
 http://egypt-grammar.rutgers.edu/TextPDF/admiralahmose2.pdf


Part III

http://egypt-grammar.rutgers.edu/TextPDF/admiralahmose3.pdf

 


 

miércoles, 15 de junio de 2022

Sarcophagus and Lid of Seshem-Nefer

Sarcophagus and Lid of Seshem-Nefer
The sarcophagus of Seshem-Nefer and its lid are rectangular. The lid has a handle on each side for carrying it.
Unlike the sarcophagi of the Old Kingdom, which were decorated with false doors and windows, this sarcophagus has no decoration except for a hieroglyphic text on its left side. The band of text is not finely carved. The false door or window was made to facilitate the entrance and the exit of the Ba, or spirit of the deceased, as the sarcophagus was thought to be the house of the mummy according to Ancient Egyptian beliefs.
GIZA NECROPOLIS
OLD KINGDOM: 4TH DYNASTY
Inventory number JE 60541
EGYPTIAN MUSEUM

 

FIGURINE/STATUETTE

FIGURINE/STATUETTE
limestone.
5TH DYNASTY
Inventory number 3812
MUSEO ARCHEOLOGICO NAZIONALE/MUSEO EGIZIO
E. Schiaparelli, Museo Archeologico di Firenze-Antichità Egizie, Roma, 1887, pgg. 189-90, n. .1495.
J.H. Breasted, Egyptian Servant Statues, Washington, 1948, pg. 31, tav. 30b..